A Rod MacDonald concert is an intimate, authentic, inspirational and uplifting experience. From the moment Rod begins to sing he grabs his audiences and doesn't let go. A renowned songwriter, a gifted vocalist and an engaging entertainer in full command of his artistry, his easy going demeanor resonates an appealing warmth and sincerity that quickly creates an intimate rapport with his audiences.
Moving effortlessly between the styles that have deeply influenced him since his early days in Greenwich Village, he masterfully accompanies himself with solid guitar work and exciting harmonica licks. An award winning songwriter whose style defies any genre label, Rod's music is infectious and inspiring, often humorous, sometimes reckless, frequently evocative, usually thought provoking - and - always compelling. Rod has released 11 solo cds in the U.S. and Europe including his latest, "Later That Night", and regularly tours the U.S. and abroad. For the past five years when not touring, Rod has been an instructor with Florida Atlantic University presenting a well-attended 8-week lecture/performance series on the history of music.
Throughout a 35-year performing career, Rod MacDonald has been entertaining audiences worldwide with his timeless ballads, modern folk songs, and his musical versatility. Possessing the heart of a troubadour, the soul of a poet and the voice of a virtuoso, he is as distinctive an entertainer as he is a songwriter. Known for his passionate interest in the events that shape our world's societies, Rod is a prolific and poignant communicator who is regarded as "one of the most politically and socially aware lyricists of our time." (All Music Guide).
Rod has released 11 solo albums, and has performed at many of the world's finest clubs and major international festivals in the U.S., Europe and Canada. The first American folksinger to tour the liberated Czech Republic, Rod performed frequently at the 4 day Straznice Festival for audiences of 10,000, where he debuted his passionate anthem "For The People", a tribute to the newly freed Czechs. He summered with the Oglala Sioux Indians on their South Dakota reservation where he met Frank Fool's Crow, ceremonial chief and medicine healer and to whom he dedicated his 2nd album, "White Buffalo" featuring the song of the same name. Said Rod, "he is a great inspiration to me, and to everyone who knows him."
Among the more than two dozen artists who have recorded his works are Dave Van Ronk, Four Bitchin' Babes with Christine Lavin, Shawn Colvin, Jonathan Edwards and Garnet Rogers. Rod's albums "No Commercial Traffic" (re-released in 2014) and "White Buffalo" are regarded as "one of the towering achievements in modern folk music." (Boston Herald).
Born and raised in a small Connecticut town, Rod was educated at the University of Virginia and Columbia Law School, working summers as a correspondent for Newsweek Magazine. Already performing since his early college days, he graduated from Columbia, never took the bar exam and remained in New York.
A major part of the 80s Greenwich Village folk renaissance, He performed with Pete Seeger, Richie Havens Tom Chapin, Dave Van Ronk, Suzanne Vega, Doc Watson, John Gorka, and Emmylou Harris, and frequently headlined at New York's Speakeasy and Folk City clubs. His memorable performance at The Bottom Line of "American Jerusalem", was heralded as a "defining moment in folk music history" when it became the opening song on Smithsonian Folkways reissue of the Fast Folk Musical Magazine. Smithsonian Folkways's reissues include 21 of his songs.
Geoff Bartley (1948 - ?) is a folk-blues guitar player singer-songwriter and recording artist. His last two CDs, 2009's "Put the Big Stone Down" and 2011's "Mercy for the Dispossessed", were promoted by Kari Estrin Management in Nashville and went to No. 1 on folk radio. In the 1980s, Geoff won four guitars at the National Fingerpicking Champion-ships in Winfield, Kansas. Some of his songs and co-writes have been recorded by other artists in New England, Canada, Ireland, and Nashville, and some are included in the Smithsonian Folkways Recordings of the Fast Folk Musical Magazine collection in Washington, D.C. A new CD called "Particles of Light" will become available in late summer 2014. Since 1994 Geoff has played guitar and sung harmony for folk treasure Tom Paxton. Geoff was also instrumental in bringing the HD-40LSH Tom Paxton Signature Model Martin guitar into production in 2004. In 2007, Geoff's song A Letter from Prison about Nelson Mandela was recorded by the progressive bluegrass band, The Infamous Stringdusters, on their CD "Fork in the Road" on Sugar Hill. Subsequently, that recording was used in the independent 2008 Lionsgate film "The Lucky Ones". Before his main stage appearance at the 2009 Boston Folk Festival, the Boston Area Coffeehouse Association awarded Geoff its Jerry Christen Memorial Lifetime Achievement Award. Geoff presents two nights of acoustic music every week at the Cantab Lounge in Cambridge, Massachusetts. Both nights have been voted Best of Boston. In further recognition, the Cambridge Mayor's Office in conjunction with the Boston Bluegrass Union proclaimed February 13, 2004 to be Geoff Bartley Day. Songs and instrumentals he has written have been used on the History Channel, Animal Planet, the Learning Channel, the Discovery Channel, the National Geographic Channel, NOVA and Nature on PBS and other cable networks, in private and commercial films and documentaries, and in private and commercial advertising in the US and other countries. Geoff endorses and plays Elixir strings. The folk press has called him a world-class guitarist, a brilliant songwriter and the prophet and spiritual godfather of the Boston folk scene.
Please note that the seating chart has recently been updated, so be sure you are purchasing the seats you want. If you do not purchase all seats at your table, other patrons may be seated with you. Your ticket reserves you a place at the table you select but not a specific location at that table. There is no food or beverage minimum. All tickets are non-refundable.